Yamamoto Teruji On Fashion Design
Yamamoto Teruji, a fashion designer, listened to his feelings about fashion, style and times. This is the prelude to the 2015 China Fashion power list.
Yamamoto Teruji once studied fashion design in France, but he was not assimilated by the West. Western dressing ideas often use a tight dress to embody the graceful curves of women. Yamamoto, based on kimono, forms a concept of non fixed dress by means of stacking, draping and wrapping.
Yamamoto likes to draw inspiration from traditional Japanese costumes and convey the idea of fashion through the rich combination of color and quality. In the west, many people make stereoscopic clipping from top to bottom in human models. Yamamoto set off in two dimensional straight lines to form an asymmetrical appearance. This chic idea is the essence of Japanese traditional dress culture, because these irregular forms do not knead at all, but appear natural and smooth. In Yamamoto Teruji's Clothes & Accessories The asymmetrical collar and hem are common, and the clothing of the brand will show different styles following the body movements.
Yamamoto did not follow the trend of western fashion, but boldly developed the essence of Japanese traditional dress culture and formed an anti fashion style. This new dress concept that runs counter to the mainstream of the west is not only in the Fashion world A firm foothold, in turn, influenced Western designers. The extension of the concept of beauty has been extended, and the beauty of texture has overcome the beauty of decoration that has dominated the fashion world for many years. Among them, Yamamoto used linen fabrics and viscose fabrics to be superb, forming a unique steady and pleat effect. Good at the use of new fabrics is also a common feature of many Japanese designers.
Yamamoto Teruji The brand of clothing is mostly black, which follows the style of Japanese culture. Yamamoto Teruji is especially famous for his men's wear, and most of his men's casual wear in the black line of his Y&y brand is conducive to free combination.
For westerners, Yamamoto Teruji, who always runs counter to the mainstream Western fashion, is a mystery. It is a mystery that sets the East's meticulous calm and western romance and enthusiasm. And his fashion is to show the mystery of the mystery in front of the public in the way of borderless: when the model turns around, you will find that his dress is equally beautiful both on the back and on the front. This is the application of the advanced fashion technology in the advanced garments, and every detail is equally brilliant and unassailable.
For his clothes, people like to quote his own sentence to explain: "what is more boring than wearing rules?" is also put on his clothing label, which fully expresses the brand spirit of his clothing design. Before him, the European fashion industry only wore lines of hard clothes, and he used layers of layers to lay the way to deal with light cloth, so that the clothes looked natural and smooth, so Yamamoto Teruji's elegant style of wind and clothing like a blow to the whole European fashion world. Since the beginning of last century, the artistic conception of Asians has produced miracles in the modern design of Westernization. This is Yamamoto Teruji's ability.
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After the completion of the 2015 spring and summer dress last year, Gao Teye announced the cancellation of the garment line, focusing on advanced customization. In other words, the so-called practicality of clothing is bound to bind him, while advanced customization is the most creative field.
The "Jean Paul Gaultier fashion world" tour has entered the tenth stop. This time it is back to the designer's home country, France, Paris. The exhibition was carried out in the The Grand Palace of Paris. It showed a total of 175 pieces of costume design from the 70s to the present (140 of the previous exhibitions). The exhibits include information, pictures, documentaries, backstage videos, music videos and stage shows. The exhibition continued until the end of August 3rd. It is worth mentioning that the first show of the life of Gao Teye was released in 1976 in the astronomical palace belonging to a part of The Grand Palace, Paris.
It has been 4 years since the first exhibition of Montreal, San Francisco, Madrid, Rotterdam, Stockholm, Broolyn, London and Australia, and finally returned to the designer's home country. The tour exhibition of the "extraordinary" works of "Gao Tian Ye" has been on the road for nearly two years. It has been around for nearly three years. It has been around for nearly three years. It has been on the road for the first time since the first stop in June 17, 2011 in Dallas. In the past four years, the exhibition has received more than 1 million 500 thousand visitors from all over the world and will continue. Gao Teye told the style.com that the next stop will be Munich, Germany. First, let's take a look at the scene of the previous exhibition.
"I was only trying to express myself at that time. Now it seems that the sketches are immature and clumsy, though they are full of creativity, but they are not systematic. And I soon realized that there was a big gap between the sketches drawn out and the clothes actually made. " Gao Tiye said. Finally, on his 18 birthday, he became an assistant to Pierre Cardin and began his life as a designer.
We have written the Brittany stripes, which are the most representative of the high tier himself, but as a high-yield designer who hates meaningless repetition, his classic design is more than that. The touring exhibition shows a large number of dramatic designs of high Teye. Look at the picture and talk.
Speaking of classics, there will still be a little bit of scare. But his creative spirit brought endless vitality to fashion. At the beginning of 80s, in the early years of the 80s, Gao Teye made a stir in fashion circles because of the conical bra and men's skirt. Under the spirit of breaking the old and creating new, he not only skillfully played the gender elements, but also integrated the cultural elements of various countries in the world. It can be said that there is no design that Gao Teya did not dare to try.
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